PGW 6th National Convention

This post is about the preparation and the exhibit itself: September was a busy month! After painting the PaperCon commission, I painted a 15″ x 15″ watercolor painting for the PGW 6th National Convention the weekend after. It was the annual open call exhibit for PGW members.

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Of course I wanted to join! I didn’t last 2022 for reasons I cannot remember anymore. And the members are starting to remember me because I kept on winning raffles. It was time to change that! The theme for the member exhibit was Lakbay+Diwang. Travel and celebrate.

My concept was pushing itself too hard, but I really wanted it to work. Below is my artist write-up that I’m very proud of:

Banaba, scientific name Lagerstroemia speciosa, is an indigenous flowering tree native to our beloved country, the Philippines. It is also known as the “Pride of India” or “crepe myrtle” in other parts of Southeast Asia. The Philippines, as a megadiverse country, has an abundance of flora and fauna—natural wonders that I believe are needed to be represented more in our medium. This is aligned with the advocacy of Ms. Bing Famoso Tac-an, founder and current head of the Philippine Botanical Art Society, which I am also a proud member of. This group aims to showcase endemic plants of the Philippines through visual arts, specifically via botanical art painting. Our group hopes to educate and create awareness about the conservation of these indigenous flora since most of them are now endangered.
I chose Banaba as the focal point of my composition because it was one of the first flowers I encountered outside when it was safer to go out during the pandemic. I wanted to show through my work that we have a myriad of beautiful endemic plants which can be subjects to choose from aside from the more popular but foreign flower subjects like peonies, roses, sunflowers, etc. My piece is inspired by the botanical art style with a white background, a requirement for the Philippine Botanical Art Society as well as its international counterparts for portraying such works, with the aspiration of scientific accuracy to the best of my abilities.
Indeed, our local endemic fauna—Katmon, Waling-waling, Tayabak, Hoya, and, of course, Banaba (but ironically, not Calachuchi and even our own national flower, Sampaguita), among others—must be celebrated. Through painting these as subjects, one can inspire and instill the knowledge that one must simply look around, even in our urbanized Metro Manila, near our homes we live in, and all round our own barangays, to see that such beauty exists around us. What more can we see and appreciate once we travel around our own beautiful Philippines.

I was really satisfied with the details. Look at those folds! ♥ The convention kick off was also the day of the exhibit opening. I attended the convention kick off first in the morning. Inggo waited somewhere in Estancia. During the exhibit opening, my Ragnarok friends from wayyyyyyyy back came and visited! We had dinner afterwards and reminisced about the good old days.

I didn’t have any time to retrieve this painting for egress so I donated it to PGW. I sort of miss it, but I can make another one anyway! I loved the experience of being part of this community. I hope I could be a bit more active this 2024.

National Museum of Natural History

May 2022 was a busy month.

Our exhibit “Natural Heritage in Focus: The Philippine Flora and Fauna Art Exhibition” at the Upper Courtyard of the National Museum of Natural History ran from May 24 until October 3, 2022. This is in partnership with Philippine Botanical Art Society and Philippine Fauna Art Society in celebration of National Heritage Month and International Day for Biological Diversity. We went to the exhibit opening last May 24, 2022.

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I went to work in the morning that day and bragged about the exhibit opening to almost everyone in the office HAHA. I was proud of myself and my officemate Trisha as we both got accepted in the exhibit. This was a juried exhibit where 3 botanists judged our artwork based on accuracy and talent. After work, Inggo fetched me from there, and we both went to NMNH in the afternoon.

Hello to Lolong! One of the largest crocodiles in the world.

It was our first time to visit the NMNH after renovation. National Museum visits are now free to public for a long time now, but we didn’t have a chance to visit because its too far from us. When we got there, we were treated as VIPs in the exhibit opening. It was a wonderful experience. Ms. Bing’s speech, even though I’ve heard it numerous times already, had more impact at that time because it felt like all of her hard work came into fruition with this exhibit. I also got to finally meet Sherilyn again! Here are some photos of the exhibit opening. Thank you to Inggo for being our photographer!

Definitely one of the highlights of this year! ♥

Mental and Physical Preparation for exhibits (Dec 21-March 22)

I will probably write about this in past tense as it is already December 2022. I joined 2 open calls by Philippine Botanical Art Society last November/December 2021. One was the Flora of South East Asia Botanical exhibition and the other one was at the National Museum of Natural History exhibit titled “Natural Heritage in Focus: The Philippine Flora and Fauna Art Exhibition“. It was a good thing that the announcement was months ahead. I had plenty of time to prepare. ♥

After a long break from creating any art, it felt like my skills were getting rusty. So I had to practice. A lot. You could also think of this post as a compilation post of sorts as well. Picture and lengthy post ahead!

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The rose painting above is the my artwork for my first ever art tambay with Aira and Hannah after lockdown. There’s still covid, but at least we finally had our vaccines so it felt a little bit safer to meet up. It also felt right that they were the first people I get to art tambay with again after a long time. Our last art tambay was around March 2020!

Physical preparation

From January to March of 2022, I practiced a lot. Just painted and painted so I could get out all of the bad art in my system. The rose painting is part of my art trade with my officemate for our Christmas Art Trade. The middle one is a periwinkle. I got the reference from one of my friends I think? The last one are daffodils I painted in my Strathmore watercolor notebook. I still have a lot of paper because of hoarding through the years. Hoping that I get to use all of them soon! I churn out a lot of paintings to get used to painting again haha.

Next up are more practice pieces on different papers. Above: Cattleya practice on baohong paper, Queen of the night on Strathmore, and a Rose painting on Canson 200gsm paper. We used to have a queen of the night in our family home. They would wake me up at night to watch this flower bloom. I didn’t really liked the rose painting, hence the color pencil layers.

Below: Sunflower painting, Poppies, and a pink rose. I could not remember what paper I used for the sunflower painting. This was also supposed to be sold off for a fundraiser, but I couldn’t find the original anymore so I gave another painting with the same reference photo used. The right poppy and pink rose are more practice pieces. The middle poppies I’m pretty proud of! ♥ I gave the middle painting as my art exchange gift during PGW’s Christmas art trade.

Above: I tried practicing white flowers again. Gardenia (left) and roses. The left one is reserved for an art trade with a friend. I’m not happy with how I rendered the roses. It looks like a mix of cool and warm tones. Its all over the place. I need to practice some more.

Below: More practice works. I’ve been wondering why I kept on painting on Canson 200gsm paper when I wanted to paint detailed backgrounds. These paintings took a beating with too much water.

Mental preparation

It is now April 2022. The painting above is my Hoya Blashernaezii ssp siariae piece for the SEA open call. The sketch (for review and approval), progress, and final piece. Its just an A4 piece so it felt like I didn’t get to express and show the details of the flowers compared to a bigger paper. This one was hard. Because of what happened last March, it felt like nothing really mattered anymore. But I had to push through with both deadlines. I didn’t get to do a warm up sketch and painting for the SEA open call. I knew from the start that I didn’t do my best here. So it didn’t really hurt when I learned that I didn’t get accepted into Round 2 of the jury deliberation.

Feeling a bit guilty with the SEA open call, I did a warm up painting for the NMNH open call. This is so I could test out the colors that I want to use for the painting. And to get the “feel” of the flower shape this time around. I had to do this painting in two rounds, a first for me. Day one was the paper prep, sketch, and base colors. After that I didn’t continue working on it after a week. Day two was all about the details and polish. I knew it took me a long time to paint this. I started around 4pm and ended at around 3am. There was also a Day three but that was just scanning and submitting the painting for jury deliberation.

Can I also just write here that I have a love-hate relationship with the NMNH painting? I knew I did my best working on this piece. It looks beautiful and it accomplished the goal. But I really hated it. During the painting process there were times that I really wanted to tear it apart. Because it felt like painting, or whatever this hobby is, didn’t really matter. I felt like it wasn’t important to others, there were a lot of distractions, and it just…. sucked. My memories of painting and submitting this piece were all negative. When we got back the painting, I wanted to burn it lol. So it is now in safekeeping in Inggo’s relatives’ place.

It feels good to finally write about this. To finally let it off my chest. I still have 18 drafts left and 3 days to go before the year ends. Let’s do this!

Of Art and Wine: Para sa Kalikasan Part II

Getting back to the present year of 2021: Once again, I submitted another flower painting to Philippine Botanical Art Society for their latest exhibit “Of Art and Wine: Para sa Kalikasan Part II” in collaboration with Conrad Manila.

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I was part of the virtual exhibit since I could not create a 30″ x 40″ watercolor painting due to the limited space in my current home. Not sure if I mentioned it yet, but I’m the ~leader~ of our office art club. I kept on posting art events there on the chance that some of my officemates would be interested in joining. Finally, one of my officemates was interested in joining this exhibit. She has submitted her own 30″ x 40″ acrylic painting for the physical exhibit at Conrad Manila. Amazing!

For this exhibit, I finally decided to buy one of the highest quality paper out there – Arches! I bought mine from The Oil Paint Store since they have a branch near our place. I got the 24″ x 32″ paper size so I could submit the 2nd largest size requirement for the exhibit. I had to draft the required dimensions of the painting using a standard ruler size and placed washi tapes as borders for the painting. And the arches paper, wow! You could tell the difference from the first brush stroke. There’s no blooms, and the paint blends beautifully.

After the exhibit with PhilBas and Conrad Manila, this painting is also exhibited at PNPCSI’s  (Philippine Native Plant Conservation Society Inc.) 6th International Symposium held last November 15 to 19, 2021, in collaboration again with Philippine Botanical Art Society. ♥ This painting is still for sale! Please message PhilBas or PNPCSI if you’re interested!

And after two exhibits, my artwork is part of the next open call poster:

This one will be a challenge for sure! The paintings will be judged first in our home country, and then will be judged the second time in Singapore. My officemate plans on joining as well. Good luck to both of us! ♥

Philippine Flora

I submitted another artwork for Philippine Botanical Art Society last May for their Philippine Flora exhibit in collaboration with the DFA Philippines!

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My painting is a mabolo fruit. Finding references is hard during this pandemic. Luckily, the tree beside the apartment is actually an endemic tree! This is a mabolo fruit, from the kamagong tree. This is actually the first time that I heard of the fruit, as the wood is more valuable part of the tree!

The exhibit website is found here. Hopefully its still up! ♥

Daluyong Opening Night

A few months ago was my first ever exhibit at Pineapple Lab. Inggo and I went to the exhibit after our work. What we didn’t expect was the heavy traffic since it was a Payday Friday. So we walked from my office all the way to Rockwell Guadalupe.

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There’s not much else to say, really. I felt proud and giddy when I saw my paintings up on the wall. I wished my bbs good luck, and we went to Rockwell for dinner. I bought an XL watercolor pad as a reward for myself. And then we went home.

I think its because I’m just writing this now that I can’t remember all the details of that night. After a month in Pineapple Lab, I had a Lalamove driver pick up my paintings. Nobody wanted them, so I proudly display them now on my office desk. 

Daluyong

I am proud to announce that I am part of Pineapple Lab‘s watercolor exhibit entitled “Daluyong“. ♥

Pineapple Lab presents Daluyong, a group exhibit featuring the works of emerging artists who have shown proficiency and artistry in the medium of watercolor. 

Collected from a call-out that engaged over a hundred entries, Pineapple Lab has curated a show that exemplifies the versatility (and volatility) of this deceptively simple medium. With a diverse selection of watercolor works on a variety of surfaces, Daluyong looks to prove that this delicate medium is a force unto itself. Celebrate the rainy season with us as we dive into the world of watercolor!

Daluyong opens on August 30, 2019 at 6 PM. Works will be available for viewing starting August 30, 2019 to September 20, 2019. Pineapple Lab Gallery at 6053 R. Palma Street, Barangay Poblacion, Makati City. Operating hours are 11 AM to 6 PM from Tuesdays through Friday.
 
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During my final interview at Studio West, they asked me what are my goals in the future. I remembered that the first thing that I answered was to be featured in an exhibit or art gallery. Nothing office related, I think! And then a year later, it happened! Pineapple Lab had an open call for artists and I applied. I’ll be attending the event on Friday with my Inggo. Hope to see you there. ♥